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Wombat, an oil painting, “Harry 13”

$2,200.00

by Josh De Pasquale
From a photograph at Cradle Mountain, Tasmania (beautiful place, complete with moss) of a wombat (the “arsehole of the bush”). He came close enough for a photo – I wouldn’t try touch him, though!

1 in stock

Description

  • Wombat, an oil painting, “Harry 13”
  • 41cm (W) x 51cm (H)
  • Oil painting on canvas board, ready to hang.
  • Signed on the front.
  • Artwork by Josh De Pasquale.

 

This oil painting on canvas board has hardware attached and is ready to hang or frame. The painting has been signed on the front by the artist. This piece is an oil painting of a wombat, reproduced in oil paint from a photograph (taken by the artist).

Painted from a photograph at Cradle Mountain, Tasmania (beautiful place, complete with moss) of a wombat (the “arsehole of the bush”). He came close enough for a photo – I wouldn’t try touch him, though!

Print on demand products available:

 

More Information

  • Learn more about wombats: Wombats are short-legged, muscular quadrupedal marsupials that are native to Australia.
  • Learn more about Tasmania: Tasmania(/tæzˈmniə/) (native: lutruwita) is an island state of Australia.

 

About the Artist

From an early age Josh De Pasquale loved to draw. After school, this skill went quiet, and life went on. In his late 20s, when Josh was introduced to the joys of oil paint, he returned to the “crayons”, with passion. Josh was born in Brisbane. He has lived in Brisbane most of his life.

Josh creates art using paint, pencil, clay, and digital. Like components in a kinetic energy device, knitted tones and themes in Josh’s work perpetually nod toward life as a masterpiece. Art, for Josh, is about that triumph of cooperation and creativity, that is the nice place where he can be peaceful!

Josh’s work demonstrates passion about learning and communication, using blunt, sophisticated noise. Josh’s art dreams to introduce opinions and patterns and wisdom, using visual mediums to touch viewing brains. Josh’s work is about egression from the pigeon holes of life, he wants to take the soul out into the proper air so it can burn. In a time and space where all words, gestures, even thoughts, may be cast as cardinal sin, Josh’s art surrenders to nature.

 

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